Freud in Coney Island, The Coney Island Museum, Brooklyn, NY.
2008
The Somnambulists, Bellwether, New York, NY
2008
The Somnambulists, Artcite, Windsor, Ontario
2005
The Ideoplastic Materializations of Eva C., Bellwether, New York, NY
2005
The Ideoplastic Materializations of Eva C., Siena Heights University Art Gallery, MI
2005
The Ideoplastic Materializations of Eva C., Gallery TPW, Toronto, Canada
2003
The Influencing Machine of Miss Natalija A., Pittsburgh Filmmakers, Pittsburgh, PA.
Selected Group
2007
“Now You See It” Center for Curatorial Studies, Bard College, NY
2007
Artefact Festival, Stuk Art Center, Leuven, Belgium
2007
"The Air Loom and other dangerous influencing machines” The Prinzhorn Collection, Heidelberg, Germany
2007
“Wolfgang von Kempelen.Mensch-[in der]-Maschine” Center for Art and Media Karlsruhe, Germany
2006
The Golden Hour, Gigantic Art Space (GAS), New York, NY
2005
Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, Center for Art and Visual Culture, University of Maryland at Baltimore County, Baltimore, MD
2004
The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME
2003
Future Cinema, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
2002
Nam June Paik Award 02, NRW-Forum Kultur und Wirtschaft, Duesseldorf, Germany
Some Assembly Required: Collage in Post-War America, Everson Museum of Art, Syracuse University, Syracuse, NY
The Whitney Biennial, The Whitney Museum of American Art, New York, NY
2001
Center for Contemporary Photography, Melbourne, Australia
International Distinguished Artist Symposium & Exhibition, Joseloff Gallery at Hartford University, Hartford, CT
Le Fresnoy Studio National des arts contemporains, Tourcoring, France
World Without End, Art Gallery of NSW, Sydney, Australia
2000
Alien Intelligence, Kiasma Museum of Contemporary Art, Helsinki, Finland
1998
Biennale de l’Image, Paris, France
Les Mondes Inventes, Musee des Beaux-Arts de Nantes, Nantes, France
1997
Selected Memories, Palais des Beaux Arts, Brussels, Belgium
Staging Surrealism Wexner Center for the Arts, Ohio State University, Columbus, OH
The Whitney Biennial, The Whitney Museum of American Art, New York, NY
Interviews
2006
Heather Hendershot “Of Ghosts and Machines: An Interview with Zoe Beloff” Cinema Journal vol. 45:3 Spring issue.
2006
Karen Beckman “Impossible Spaces and Philosophical Toys: An Interview with Zoe Beloff” Grey Room vol. 22 Winter issue.
Willem van Weelden. “Catalog of the15th World Wide Video Festival,” Stedelijk Museum, Amsterdam, Holland
Selected Screenings
2007
Freud Dream Museum, St. Petersburg, Russia
2006
The Museum of Jurassic Technology, Los Angeles, CA
2005
Margaret Mead Film and Video Festival @ The American Museum of Natural History, New York City, NY
2004
Pacific Film Archives, Berkeley, CA
2004
PICA – Portland Institute for Contemporary Arts TBA Festival, Portland, OR
2003
London International Film Festival, London, England
2002
SHADOW LAND OR LIGHT FROM THE OTHER SIDE, 3D 16mm film; The Whitney Museum Biennial, New York, NY
2002
American Museum of Natural History, New York, NY.
2002
The Images Festival of Independent Film & Video, Toronto, Canada
2001
American Museum of the Moving Image, New York City, NY
2000
San Francisco Cinematheque, San Francisco, CA
1998
Rotterdam International Film Festival, Rotterdam, Holland
1997
Museum of Modern Art, New York, NY
1990
New York Film Festival, New York City, NY
1990
Sundance Film Festival, Salt Lake City, UT
1990
Berlin Film Festival, Berlin, Germany
Selected Publications
2006
“Towards a Spectral Cinema” in Eric Kluitenberg, editor of Book of Imaginary Media: excavating the dream of the ultimate communication medium, Rotterdam Nai Publishers
2005
Zoe Beloff “Natalija A. and Eva C.” in Louis Armand, editor, Mind Factory, Prague: Litteraria Pragensia
2002
Zoe Beloff. “Deux femmes visionnaires,” Trafic, revue de cinema, issue 44, winter.
Reprinted in 2006 as “Two Visionary Women” by Jennifer Fisher, editor of Technologies of Intuition Toronto: XYZ Books
2001
Zoe Beloff. “An Ersatz of Life,” New Screen Media: Cinema/Art/Narrative, Martin Rieser & Andrea Zapp (eds): BFI London in collaboration with ZKM Karlsruhe.
1999
Zoe Beloff. “La vie rêvée de la technologie,” Trafic, revue de cinema, issue 30, Summer.
Education
1986
Whitney Museum Independent Study Program, New York, NY
1983
MFA, film production, Columbia University, New York, NY
1980
BA and MA, painting and art history, Edinburgh University College of Art, Edinburgh, UK
Books/Published Articles
2008
The Somnambulists: A Comendium of Source Material, Published by Christine Burgin, Edited by Zoe Beloff, 114 pages with black and white illustrations and DVD